It might seem simple to paint or collage a Minimalist piece, but as many artists have discovered, it is very difficult to be simple! Minimalism looks at how objects relate to the physical space of the paper. Working in a minimalist mode you are eliminating all nonessential forms, colors, elements, textures, features etc. You are bringing your work down to the basics and conveying a calming tone. One way to learn how to "find" a minimalist composition is to take a piece of drawing paper and to randomly and quickly apply paint, marks, scribbles leaving some areas of white space. Try not to think too much when doing this. Next take a scissor and cut the piece up into small squares (without thinking too much...just cut up!) Now examine your squares and isolate compositions which are nice and simple. You can than use those thumbnails for inspiration for larger pieces.
When you are making painted papers for Mixed Media collages or working directly on a support (paper, canvas, art board etc.) you may want to add texture to your piece. In MIxed media, many different types of wet and dry media are used to offer a variety of marks, strokes and textures. A really cool way to create texture is to roll your brayer into a puddle of paint and than to roll the brayer again over a remnant of plastic mesh before finally rolling the brayer onto your work. The result will be the creation of nibs on the brush that will create a wonderful pattern once the brayer is rolled onto a Mixed Media piece. You can also try rolling the brayer (with paint already on) onto other interesting objects that you use for texture such as corrugated cardboard or patterned wallpaper samples.
It is amazing how you can create so many interesting marks and textures with common ordinary objects and household materials such as an old plastic credit card. One of my students in my Wednesday WHAL Mark making class introduced me to this credit card technique. You begin by placing paper (in this case we were using waxed deli paper called Kabnet) over an old credit card and making a rubbing with a pencil or black crayon. Plastic credit cards can also be used as "a palette knife" to spread paint on paper or canvas. You can also scrape into a painted paper with the edge of the credit card to create nice lines and marks.
Next time you come across remnants of ceramic tiles, take a look at the back of the tile. Often there is a very interesting pattern on the backside of the tile which can be used as a printmaking tool in Mixed media art. In the tile shown, I painted orange paint on the underneath side of the tile and then stamped or printed with the tile onto my work. I will use this tile over and over again, adding different colors when needed. You can also over stamp with the same color creating more patterning and textures on your work.
Random Acts of Color
Contemporary Abstract Mixed Media
C. Dianne Zweig
Inspired by 1950's colors, shapes, and designs, “Random Acts of Color" features C. Dianne Zweig's Contemporary Mixed Media abstracts which are anything but "random" as Dianne playfully re-works Mid-Century style for today's collector. You will find almost 50 works of art on display assembled in Dianne's first Solo Show. This playful collection showcases Dianne's bold use of color and Mark making.
Opening Reception with the artist:
Sunday, December 11, 2016
December 4, 2016 – January 15, 2017
For more information visit: JCC 860-231-4571
WINTER CLASSES 2016
MAKING YOUR MARK IN CONTEMPORARY ABSTRACT ART AT THE WEST HARTFORD ART LEAGUE
C. Dianne Zweig West Hartford Art League 6 Weeks Level: Beginner to Advanced Abstract artists who would like to add more spontaneity to their artwork will explore a variety of mark making approaches to help reinvigorate and “morph” their contemporary styles into more interesting and finished works of art. Emphasis will be on the language of line and spontaneity, chaos and control, figuration to abstraction, action versus quiet, color, shape using both traditional and unconventional art products, materials and tools. Assignments will integrate the use of wet and dry media, pen and ink products, painting and collage. Emphasis will be on resolving artistic dilemmas in creative ways which incorporate innovation as well as group critiques. All levels of students welcomed. A materials list is available at: http://www.cdiannezweig.com/workshops/ C. Dianne Zweig is a Contemporary Mixed Media abstract artist whose artwork is influenced by the organic shapes and abstract designs of 1950s textiles. She is a member of Connecticut Women Artists and a founding member of Mixus, a group of women artists who work in Mixed media. Dianne is also enjoys teaching art classes and workshops to all ages.
DZ312|Wednesday, January 11th – February 15th|1:00 – 4:00 Clubhouse Classroom Fee: Member $138.00 Non-member $163.00
To register visit the West Hartford Art League
Mixed Media artists simply cannot look at an ordinary object in the same way as the rest of the world. For example, to the average person, a pencil with an eraser is a writing or drawing tool with the graphite end taking top billing. To a Mixed media artist, the rubber tip of a pencil is so much more than a device to eliminate unwanted marks. Case in point, (no pun intended), Lynn Gall an accomplished Mixed Media artist taught me how to use the eraser end of a pencil to stamp perfect dots or circular shapes into a painted or collaged piece. You can dip the eraser in any color, but dipping the eraser into white paint really adds highlights to your work.
Artwork by Lynn Gall http://www.lynngall.com/