When I am making Mixed Media artwork I like to keep a pre-cut Mat "window" nearby to help me isolate parts of my work in progress that may actually be more exciting than if I kept the "whole" piece intact. I have been criticized for giving up too soon on "resolving" a whole piece and I understand that comment. I even at times feel a little guilty for reaching for my mat window, but I also appreciate that I respect my visual eye and if cropping is what is called for....that is what my artistic intuition tells me. Some guidelines that I use when I am making this decision to crop or cut up a piece of work is does the section I have highlighted show more composition integrity and or excitement than the piece as a whole? Sometimes eliminating "noise" or complexity is helpful. Are the color relationships keener in the smaller section chosen? Do I get more drama, serenity, mystery, movement etc. in the portion of the artwork that I have chosen to feature. These are some ways to think about should you crop or not.
Random Acts of Color
Contemporary Abstract Mixed Media
C. Dianne Zweig
Inspired by 1950's colors, shapes, and designs, “Random Acts of Color" features C. Dianne Zweig's Contemporary Mixed Media abstracts which are anything but "random" as Dianne playfully re-works Mid-Century style for today's collector. You will find almost 50 works of art on display assembled in Dianne's first Solo Show. This playful collection showcases Dianne's bold use of color and Mark making.
Opening Reception with the artist:
Sunday, December 11, 2016
December 4, 2016 – January 15, 2017
For more information visit: JCC 860-231-4571
If you spend a good amount of time in your art studio fussing over and over on a painting that is screaming "cover me with Gesso" or "throw me out" you have probably reached the point where you should just go ahead and "ruin it"! In other words relinquish the "plan" you had for this piece and just "let whatever happens happen".
Below is an excerpt from a five page letter the artist Sol Le Witt wrote to Eva Hesse.
"I have much confidence in you andthough you are tormenting yourself, the work you do is very good. Try to do some BAD work — the worst you can think of and see what happens but mainly relax and let everything go to hell — you are not responsible for the world — you are only responsible for your work — so DO IT. And don’t think that your work has to conform to any preconceived form, idea or flavor. It can be anything you want it to be. But if life would be easier for you if you stopped working — then stop. Don’t punish yourself. However, I think that it is so deeply engrained in you that it would be easier to
I am trying to come up with a title for an upcoming Art show. Some days it seems like every good name has been used. I have done what so many artists do when they are searching for a name that will grab attention and hopefully bring interest in their work.... they stare at their body of work hoping the paintings will begin speaking with a brilliant answer! I've talked to my abstract mixed media collages all week and so far nuttin'. My watercolors were silent too and my pastels and ink pieces are also keeping under the radar. I've considered following the advice of a favorite author and blogger, Austin Kleon who suggests that one "Steal Like an Artist". Should I refer to the big box of old Art show promotional postcard from others and recycle a name? Would I be better thinking of a name without referencing others so that I can pretend i was original? At this moment in time, I am Ferklempt! Hey that has a certain ring to it....maybe that's going to be my name for my show.
Scribbling seems so easy when you are a toddler and you just let yourself draw freely without any conscious thoughts about what you are doing. Fast forward to being an adult and all of a sudden you can't move your hand without overthinking your modus operandi. Am I making lines too soft, too long, too dark, too crooked? You get the drill, mark making becomes tedious instead of relaxed and free. Don't get me wrong, sometimes you want a very careful deliberate line or mark, but more often than not for abstract artists, making marks is a very spontaneous process. So with this concept in mind, I have developed my newest art class "MAKING YOUR MARK IN CONTEMPORARY ART" which will run at The West Hartford Art League this Fall on Wednesday afternoons. Here is the link for more information http://www.cdiannezweig.com/workshops/