It might seem simple to paint or collage a Minimalist piece, but as many artists have discovered, it is very difficult to be simple! Minimalism looks at how objects relate to the physical space of the paper. Working in a minimalist mode you are eliminating all nonessential forms, colors, elements, textures, features etc. You are bringing your work down to the basics and conveying a calming tone. One way to learn how to "find" a minimalist composition is to take a piece of drawing paper and to randomly and quickly apply paint, marks, scribbles leaving some areas of white space. Try not to think too much when doing this. Next take a scissor and cut the piece up into small squares (without thinking too much...just cut up!) Now examine your squares and isolate compositions which are nice and simple. You can than use those thumbnails for inspiration for larger pieces.
It took me decades to learn how to make a mess and to finally relax and to stop worrying that i got paint on the floor ! Of course I needed an art studio with hard wood floors to be able to have the luxury of being able to spill, pour, fling, splatter, spray, tear etc. and not de-compensate over the collateral damage I was creating. I'm not totally freak out free yet...I do like my slop sink white and clean and Comet is my best friend. However with the pleasure one takes with channeling their Abstract Expressionism, also comes the understanding that skilled artists know how to balance chaos and control when making abstract art. Pollack didn't just splatter paint....he was keenly aware of his composition resulting in very organized and successful artwork. Franz Kline 's seemingly impulsive black and white pieces were planned out first. Many Abstract artists work hard at the process of making a wonderful mess, reigning in their work, constructing and deconstructing and ultimately modulating the tensions of spontaneity, creativity and skill.
It is very interesting to sit down with a group of artists during a critique session and to discuss one of the student's work. Discussions generally focus on the assignment at hand (printing without a press) and how each participant met the challenge. In the piece shown, there was even more discussion because this abstract evoked so many different images to the group assembled. Some students saw "fingers", others imagined a Snow-scape or Beach-scape. What type of mood and setting did this piece evoke...mysterious, peaceful, eerie etc. What about this piece led some people to think about it being a landscape (or fingers) ....the horizontal applications of paint, a horizen etc? Lines, marks, shapes, smears, blotches , intensity, negative space and how paint is applied are part of the abstract artist's toolbox. Student work shown.
What a treat visiting Rosalie and Ray Gustafson, both artists who have a whimsical gallery and Frame shop called "Ray's" at 53 Poqonock Avenue in Windsor, CT. Rosalie always shares lots of her art tips and makes you feel right at home in her showroom. The shop is small but carefully planned to make to make every nook and cranny count. Rosalie enjoys variety in her work and often mixes her media to create interesting textures. One of her favorite techniques is to cut a landscape or cityscape design into a piece of Styrofoam (the kind found in the meat section of the grocery store) and to coat with paint and print with. She has done many paintings with a city scape theme that she starts out with the technique just mentioned. Than she collages painted or printed papers onto the original painting.