Many artists will say that all drawing and painting involves some form of mark making. A general viewpoint is that as soon as your brush (or whatever tool you use) touches your canvas or paper, you are making a mark! Marks can be lines, scribbles, scratches, smudges, dots, dashes, patterns, textures. All different types of artists use a variety of mark making approaches in their work. Artists may use expressive and intuitive marks in non-objective work, meaning that the work does not represent anything in the natural world. Or perhaps an abstract artist using a dry brush technique might make short, fast lines suggestive of blades of grass even though that association was not intended. The viewer has attributed their own meaning to the lines. On the other hand, the Impressionists used mark making in the form of dabs, hatching and cross hatching to add movement, texture, light and life to the scenes they depicted in their paintings. Marks can be soft and subtle and barely noticeable in some work or they can be bold and intense, occupying a sense of grandness in a work.
As an artist I have very little patience, but I have learned over the years to work with that quirky trait. If I absolutely had to sit and render a very carefully executed vase of flowers sitting on a table, I'm betting over time and practice (and some skill building) , I could truly pull that off. But I'm thinking that I would frankly be worn out and not energized while TRYING to create a painting of flowers. In contrast to drawing or painting realistically, when I slop around in my studio experimenting with colors, products and applications in all the "wrong" ways I'm "unglued" but satisfied. I really do like the idea of accidentally falling into a project with little preconceived notions and few expectations (ha ha). I really have to get back to stop trying so hard, that's when my best work appears!